In the end, as the producer I was able to manage the pre-production conversations with the director and Marvel Studios production managers who allowed us to integrate ourselves into their very hectic and finely choreographed production schedule. I then produced and helped direct the on-set capture of our narrative title sequence materials working with the incredible cast, producers, and film director.

Once we had our footage, I also built the team and schedule for our post-production editorial and animation phase making the title sequence come to life. In addition to managing the client communication and our team, I also sourced much of the stock footage used in the sequence because I had such an intimate understanding of the story we were telling and what sort of imagery would best support that narrative.

In the end, we produced a beautifully haunting sequence that delves into the dark underbelly of the main villain, General Dreykov, and how the black widow program exploits young girls to influence and destabilize global relations. As a bonus, it is all set to a stirring cover of Nirvana’s “Smells Like Teen Spirit.”